A trip to the wonderful world of Gravity!
“Rawums” according to the artists behind the piece, is the sound of something falling. Two curious characters explore and discover the laws of gravity! Why does a feather hover gently in the air, while a bag crashes heavily on the ground? But then what about a house? a chair? or even a person? Can they fly? They’re determined to find out!
A show about floating, flying, and falling.
Artistic Director Lynda says: “Rawums (:) was to have been a part of our 2020 edition so you can imagine how excited I am to finally welcome it in this edition! In fact this will be the second time they’ve played WeeFestival, the first in 2018 with “Sst! Secrets of a White Rabbit”. Michael and Melanie are absolutely wonderful performers who will absolutely captivate young audiences and their grownups.“
Production: florschütz & döhnert
Coproduction: Theater o.N./ZINNOBER and SCHAUBUDE BERLIN
Artistic cooperation: Werner Hennrich
Idea, scenography, objects, play: Michael Döhnert and Melanie Florschütz
About Florschütz & Döhnert
The theatre company Florschütz & Döhnert is based in Berlin, Germany, and tours around the world. Artists Melanie Florschütz and Michael Döhnert have been working together since 1996, the company Florschütz & Döhnert was formed in 2004: Melanie studied the art of puppetry in Stuttgart, Germany; while Michael is a composer, guitarist and singer. At the centre of Florschütz’ & Döhnert’s productions is the idea of the actor as author. In their numerous productions for children they always seek a synthesis of music, the various means of expression of puppet and object theatre and human acting. The subject of the play determines the theatrical form it will take, always aiming for poetry and diversity.
We are delighted about the two-year basic funding in 2024 and 2025 from the Senate Department for Culture and Social Cohesion!
Accessibility of our shows:
All shows by florschütz & döhnert invite the audience to experience theater with their individual prior experience and abilities. The productions work without words and are visually comprehensible. The associative visual language is open to people of all ages! Beyond language skills, the productions offer a “reading” between the lines and complex sensory impressions on several levels, which can be experienced according to ability. The resonance from deaf and hard of hearing people, people with limited mobility, cognitive and mental impairments and other disabilities reflects good barrier-free access.
Visit the Florschütz & Döhnert website
